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I’m way behind in my reviews…So I’m not letting myself try new samples until I can catch up on the old teas and allow myself to focus on the new ones. And with that, I will catch up with this pu’er. I steeped the whole sample (I think it was around 4.5 grams or so) in my 100ml gaiwan. I got through about 10 or 11 steeps total. There was a great deal of intrigue in this tea, with a very unique flavor profile. From the first four-second steep, I received notes of mushrooms, cedar chips, a certain grape-like tartness, a faint earthiness, and flavors of overripe fruit. The liquor smelled like old, worn-out leather and age. It actually came out kind of frothy, which was interesting to me, as the height I poured it from wasn’t any higher than normal. The mouthfeel contained a slow and drawn-out huigan that began sparkly and tingly and transformed into a bitterness. There was also a lingering metallic feel to it here.

Into the next steep, all the above flavors increased in intensity while notes of camphor and what totally reminded me of Dr. Pepper were added to the mix. The mouthfeel turned into something fierce in this steep. It was stronger, more potent, and it made the tip of my tongue feel like it was on fire or that it was vibrating or something. Very tingly. This mouthfeel remained like this with somewhat less intensity throughout the rest of the steeps.

As far as flavor goes, the rest of the steeps went downhill from here (at least for me). The next steep was incredibly sour-tasting. And instead of showing up and then fading, it actually expanded and became more intense after a sip. It was kind of like biting into an unripe lime, complete with a great deal of astringency. Bleh. I don’t know what happened here, but it only steeped a second longer than the previous steeping. At any rate, it calmed down into the next couple of steeps, but it was still very apparent.

The steeps faded out with a great deal of earthiness, a bit more spice, and some notes of that overripe fruit taste. Overall, I really liked the tastes it put forth, and the mouthfeel was highly stimulating, but the metallic feeling and sour tastes were just too off-putting for me. However, I did really like the leaves of this one. Although there were a TON of stems in my sample, the leaves became quite green when wet and the ones that happened to be whole had some beautiful veins. The leaves’ aroma was also quite nice. Hints of florals, grapes, ripe fruits, and some nostril-tingling tartness.

Preparation
Boiling
K S

You manage to drag more out of one session than I can in an entire week of sipping. Respect.

Cody

Why thank you, K S!!! :D I just love trying to pull out every bit of flavor and texture I can. It usually ends up being a long process, but it’s so fulfilling in the end when you can really “get” what a particular tea is all about.

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K S

You manage to drag more out of one session than I can in an entire week of sipping. Respect.

Cody

Why thank you, K S!!! :D I just love trying to pull out every bit of flavor and texture I can. It usually ends up being a long process, but it’s so fulfilling in the end when you can really “get” what a particular tea is all about.

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Bio

I’m fanatic about all things tea-related. Lately, I’ve been fascinated with Wuyi yancha, aged Taiwanese oolongs, and sheng pu’ercha. Nearly all of my sessions as of late are performed gong fu, with pu’er tastings comprising probably eighty percent of them. My collection of pu’ercha is small, but growing steadily. Much of the specimens I drink daily are various samples, although I dig into a cake every so often.

I love trying new teas and I am always learning all I can about the world of tea. Hence, I spend a majority of the time I devote to tea either drinking, writing notes in my journal, or reading. But mostly drinking, as I think it should be. Since I have handwritten logs of everything I drink, I cannot usually find the extra time to log my notes here, and unfortunately my online log is underrepresented.

When drinking, I look for a tea that presents a unique experience, something that involves every sense and provides intrigue in every aspect throughout steeps. I search for teas with balanced complexity and something that makes me keep reaching for my cup. I yearn to find all the positives a tea possesses and every subtle nuance hiding among the leaves. I try to be detailed in my notes and deliver a more comprehensive view of the tea, paying attention to things other than simply flavors and qualitative aspects of aroma, such as the form of the liquor and its development in the mouth. Things like this are much easier to compare between teas, as I find them to be more consistent between sessions, and also make distinctions between a good and mediocre tea easier to make.

Teaware
Adagio UtiliTEA electric kettle.
For gong fu, a 100 mL porcelain gaiwan and a 100mL Yixing di cao qing xi shi pot dedicated to mostly young sheng pu’er.
I drink all green teas in small (maybe 450mL) glass tumblers in the traditional style, with off-boiling water.

Location

Fort Myers, Florida

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