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Ummm, I hate to say this, but this tea was really tainted on its way here. The ESGREEN samples this time around consisted of pu’er, a black tea, and this maofeng. I’m sure you can guess what occurred. Into the fourth steep one of the main flavors is still like young sheng and the wet leaves smell like spent sheng leaves. It certainly fades from the first steep which just tasted like diluted, vegetal sheng pu’er, but the heavy aromas of aged tea really seeped into these leaves during the months of travel and nothing but a single layer of plastic to shield them.

I used half the sample for this review, so I’ll let the rest air out for a while before I taste this tea again, but I believe the damage is already done. However, there are some things I can speak of that were not affected. While the dry leaves are somewhat faded in coloration, they seem to have been made from decent quality material. Downy hairs are clearly noticeable on many and once wet, the appearance is brought back to life with bright greens and delicate small leaves. Few mottled leaves or odd colors present. While many are broken, they are generally broken in half or quarters, so most of it is probably due to crumbling during shipping. This is opposed to chunks missing from sides of leaves or holes in the middle of them. The serrated edges are very much intact as well.

Addendum:
The above I wrote about a month ago. After this much time of airing out and also tasting another lovely Huangshan Maofeng from Teavivre, I went back to this tea and gave it another shot. Thankfully, it wasn’t like I was drinking shengpu-flavored green tea, but unfortunately, there was nothing else left. The scents of smoke and young shengpu are still caught up in the wet leaves and aroma of the liquor in the first two steeps, but the flavor is practically absent. Long two-minute steeps in the gaiwan provided no remedy, only bitter water. It’s impossible to taste any of the sweet, vegetal, and nutty qualities that I now love about this type of green tea. ESGREEN should definitely reevaluate either their shipping methods or their tea choices when sending samples. The all heicha/pu’ercha sample packs in the past worked well, but this past round was just a good way to ruin what probably could have been a decent green tea.

Preparation
175 °F / 79 °C
K S

I apparently never reviewed this one on Steepster. My notes show I was confused as to whether it was a green or a sheng. I also caught smoke. This was my first of this type tea. I had no idea it was tainted. I requested the TeaVivre version on purpose to try and see if it was the tea or the type. Loved the TeaVivre. This one not so much.

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K S

I apparently never reviewed this one on Steepster. My notes show I was confused as to whether it was a green or a sheng. I also caught smoke. This was my first of this type tea. I had no idea it was tainted. I requested the TeaVivre version on purpose to try and see if it was the tea or the type. Loved the TeaVivre. This one not so much.

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Bio

I’m fanatic about all things tea-related. Lately, I’ve been fascinated with Wuyi yancha, aged Taiwanese oolongs, and sheng pu’ercha. Nearly all of my sessions as of late are performed gong fu, with pu’er tastings comprising probably eighty percent of them. My collection of pu’ercha is small, but growing steadily. Much of the specimens I drink daily are various samples, although I dig into a cake every so often.

I love trying new teas and I am always learning all I can about the world of tea. Hence, I spend a majority of the time I devote to tea either drinking, writing notes in my journal, or reading. But mostly drinking, as I think it should be. Since I have handwritten logs of everything I drink, I cannot usually find the extra time to log my notes here, and unfortunately my online log is underrepresented.

When drinking, I look for a tea that presents a unique experience, something that involves every sense and provides intrigue in every aspect throughout steeps. I search for teas with balanced complexity and something that makes me keep reaching for my cup. I yearn to find all the positives a tea possesses and every subtle nuance hiding among the leaves. I try to be detailed in my notes and deliver a more comprehensive view of the tea, paying attention to things other than simply flavors and qualitative aspects of aroma, such as the form of the liquor and its development in the mouth. Things like this are much easier to compare between teas, as I find them to be more consistent between sessions, and also make distinctions between a good and mediocre tea easier to make.

Teaware
Adagio UtiliTEA electric kettle.
For gong fu, a 100 mL porcelain gaiwan and a 100mL Yixing di cao qing xi shi pot dedicated to mostly young sheng pu’er.
I drink all green teas in small (maybe 450mL) glass tumblers in the traditional style, with off-boiling water.

Location

Fort Myers, Florida

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