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Longjing isn’t really my thing. I enjoy it on occasion, but I generally find it almost too savory for frequent drinking. Anyway, this one is fantastic. The aroma is very fresh, with strong, sweet, and slightly nutty characteristics. The dry leaves look to be of great quality: bright green, tons of fuzz, with a few pockets here and there sticking to the leaves. Almost entirely of buds, but there are some broken leaves and extraneous materials scattered throughout. All in all, though, very consistent.

I have found this particular version to be somewhat finicky to brew, though I particularly enjoyed it “grandpa style” (if anyone follows MarshalN), with minimal leaves, sipping from an open gaiwan, filling it back up with water once it gets a bit past halfway. Pretty much the traditional style, but I prefer it in a gaiwan instead of a glass. In this way, a clear, light-jade green liquor is produced that is crisp, light, and buttery, with the characteristic Longjing “chestnut” flavor. The aftertaste is sweet, fresh, and induces salivation.

Preparing it gong fu leads to too much umami flavors and an “overly green” taste (if that makes any sense), especially with too high a quantity of leaves. However, depth increases at least three-fold this way. This makes sense, but the level to which it increased was surprising to me. At any rate, this way or grandpa style both provided decent staying power throughout steeps. All in all I was impressed, and I am thankful for an opportunity to sample this tea.

Preparation
170 °F / 76 °C

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Bio

I’m fanatic about all things tea-related. Lately, I’ve been fascinated with Wuyi yancha, aged Taiwanese oolongs, and sheng pu’ercha. Nearly all of my sessions as of late are performed gong fu, with pu’er tastings comprising probably eighty percent of them. My collection of pu’ercha is small, but growing steadily. Much of the specimens I drink daily are various samples, although I dig into a cake every so often.

I love trying new teas and I am always learning all I can about the world of tea. Hence, I spend a majority of the time I devote to tea either drinking, writing notes in my journal, or reading. But mostly drinking, as I think it should be. Since I have handwritten logs of everything I drink, I cannot usually find the extra time to log my notes here, and unfortunately my online log is underrepresented.

When drinking, I look for a tea that presents a unique experience, something that involves every sense and provides intrigue in every aspect throughout steeps. I search for teas with balanced complexity and something that makes me keep reaching for my cup. I yearn to find all the positives a tea possesses and every subtle nuance hiding among the leaves. I try to be detailed in my notes and deliver a more comprehensive view of the tea, paying attention to things other than simply flavors and qualitative aspects of aroma, such as the form of the liquor and its development in the mouth. Things like this are much easier to compare between teas, as I find them to be more consistent between sessions, and also make distinctions between a good and mediocre tea easier to make.

Teaware
Adagio UtiliTEA electric kettle.
For gong fu, a 100 mL porcelain gaiwan and a 100mL Yixing di cao qing xi shi pot dedicated to mostly young sheng pu’er.
I drink all green teas in small (maybe 450mL) glass tumblers in the traditional style, with off-boiling water.

Location

Fort Myers, Florida

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