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I don’t know much about osmanthus, but I definitely know that I love the scent of it. This oolong’s aroma is an interesting mixture of sweet cream, floral, and gao shan character. The strength of the osmanthus mainly remains in the aromas, primarily adding mouthfeel and aftertaste when it comes to the liquor, which I appreciate. The Ali Shan leaves are nice and I am always happy when added flavors refrain from overpowering the natural components of the leaves.

So, as far as flavored teas go, this one is quite excellent. Great body, nice flavor profile with classic high mountain flavor and just enough added florals to round out the character. While the osmanthus is a little too potent in the wet leaf scent and the aroma trapped under the gaiwan lid, the balance in the liquor is just right. I am perhaps most pleased with this tea’s progression through steeps. Neither the osmanthus or the Ali Shan flavors “win out” at any point during the session, instead gradually rising and falling together. Many times with some jasmine green specimens, for example, it seems as though I am drinking two overlapping teas during one session, as the floral aspect is very strong in the beginning, while the actual tea’s characteristics take a few steeps to shine through. Not so with this tea.

Thanks Teavivre!

Preparation
200 °F / 93 °C
TeaVivre

This tea mixed with natural fragrance extracted from fresh osmanthus. You can taste its flavor in the liquid in the mean time feel the sweet flavor. The aroma of osmanthus and oolong will stay in your mouth for a long time. The floral fragrance also brings richer flavor to the oolong tea. Yummy!

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TeaVivre

This tea mixed with natural fragrance extracted from fresh osmanthus. You can taste its flavor in the liquid in the mean time feel the sweet flavor. The aroma of osmanthus and oolong will stay in your mouth for a long time. The floral fragrance also brings richer flavor to the oolong tea. Yummy!

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Bio

I’m fanatic about all things tea-related. Lately, I’ve been fascinated with Wuyi yancha, aged Taiwanese oolongs, and sheng pu’ercha. Nearly all of my sessions as of late are performed gong fu, with pu’er tastings comprising probably eighty percent of them. My collection of pu’ercha is small, but growing steadily. Much of the specimens I drink daily are various samples, although I dig into a cake every so often.

I love trying new teas and I am always learning all I can about the world of tea. Hence, I spend a majority of the time I devote to tea either drinking, writing notes in my journal, or reading. But mostly drinking, as I think it should be. Since I have handwritten logs of everything I drink, I cannot usually find the extra time to log my notes here, and unfortunately my online log is underrepresented.

When drinking, I look for a tea that presents a unique experience, something that involves every sense and provides intrigue in every aspect throughout steeps. I search for teas with balanced complexity and something that makes me keep reaching for my cup. I yearn to find all the positives a tea possesses and every subtle nuance hiding among the leaves. I try to be detailed in my notes and deliver a more comprehensive view of the tea, paying attention to things other than simply flavors and qualitative aspects of aroma, such as the form of the liquor and its development in the mouth. Things like this are much easier to compare between teas, as I find them to be more consistent between sessions, and also make distinctions between a good and mediocre tea easier to make.

Teaware
Adagio UtiliTEA electric kettle.
For gong fu, a 100 mL porcelain gaiwan and a 100mL Yixing di cao qing xi shi pot dedicated to mostly young sheng pu’er.
I drink all green teas in small (maybe 450mL) glass tumblers in the traditional style, with off-boiling water.

Location

Fort Myers, Florida

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