87 Tasting Notes
TeaGschwender makes great claims for this tea, which I am still trying to validate. It is light, and the lack of bitterness allows the fruity/nutty flavors to come through, but I’m still partial to the Mangalam Estate teas, maybe because I feel they have a greater foundation. I’m not sure Iike the direction toward which many Assams and Darjeelings are moving—striving for delicacy on the top notes, while sacrificing body in the process. Still, in the scheme of things, this is a satisfying Assam.
Wild, young, bold, and beautiful to look at, after drinking this, I felt like had been given a transfusion of blood from a sixteen year old (or V, for you True Blood fans). This tea is like an incredibly talented young left-handed pitcher who throws 100 mph and only sometimes gets it over the plate. There’s so much flavor and sharpness in this tea and I can’t wait to see how it ages and becomes more disciplined and focused. It will be hard not to chip away at this tea. Early infusions are surely on the bitter side, but that fades in later steepings.
Maybe it’s my ignorance about the term “medium roast,” but I expected this tea to have more oomph. The second infusion had a little more of a nutty bite, but in general this is a decent, light Tie Guan Yin, but I’ll continue looking for something with a bit more roast.
What a well-balanced Keemun! Just the right amount of smokey/leathery richness balanced by a bright sparkle that keeps the tea from becoming too burdensome. If you had a stable of motorcyles, this would be your go-to ride, the bike that gives you a lot of riding pleasure and is always reliable. Maybe not the fastest and most exotic, but also not a heavy cruiser that you have to wrestle around. An exemplary Keemun, that (along with Upton’s Keemun Mao Feng) would be the perfect addition to anyone’s cupboard.
A recent business trip to Chicago allowed me to make my first trip to a Teavana store, a small, quiet place with no hard-selling employees, contrary to my expectations. I was drawn to this selection because of my love for golden-tipped Chinese teas and after the first sip, I knew I had made a good choice. Much of the flavor profile echoes the Yunnan rare grades I love so much, but with an alluring orange flavor that is missing from the more chocolatey, creamy, malty Yunnans. I was pleasantly surprised that a chain tea store could provide me and others with such a satisfying tea that has its own special niche among the Chinese black teas I own.
It took a lot of work for me to get something from this tea. I started with a one-minute infusion and tasted very little, so I continued on to three minutes. I found a faint sweetness and a musty, earthy taste redolent of the cedar that Verdant mentions in its tasting notes, but even then I felt I was tasting not so much a delicate tea that needs patience and dedication to tease out its complex essence (an approach that I adopt when tasting lightly oxidized Oolongs), but a cup of lightly vegetal hot water. I guess I do need to have that “wow” or “aha” moment when I drink a tea. Emily Dickinson defined poetry this way: “If I feel physically as if the top of my head were taken off, I know that is poetry.” I want that kind of experience when I drink tea.
Interestingly, this tea gave me a different kind of buzz than other tea. Maybe it’s all that energy packed in those buds.
Working my way through my Verdant Oolong samples and after three sessions with this tea, I have a handle on my feelings about this tea. First of all, the infused leaves are beautiful—I leave them on a white plate during the day to marvel at the size and brilliant green color with lightly bruised edges. The fragrance of the brewed tea reminds me of daylillies and cut grass and the first mouthful is nicely balanced between the vegetal (fresh steamed spinach or chard) and the floral. There’s a sweet fruity fizz that asserts itself after as few seconds—pleasantly so. This isn’t the kind of tea that is likely to have me writhing with pleasure—I tend to favor black teas and pu-erhs—but I can appreciate the unimpeachable excellence of its qualities and I defer to others who insist this is one of the best Tieguanyins available.
Incredible tea! Three infusions saw no diminution of the melting butter, baked fruit, and chestnut flavors that mix with the smoky essence to create a complex yin/yang experience. While I have always appreciated the delicacy of non-roasted, lightly-oxidized Oolongs, I tend to favor heartier teas in general and this gives me all the fruity flavors of an OOlong with the body of a smoked black tea. Like an album you fall in love with and can’t stop listening to, I can see myself pushing repeat on this tea for weeks on end.
This one took me by surprise. Maybe a bit unheralded, but from the heady camphor scent of the dry leaf to the sweet cherry flavor that establishes itself at the deepest levels, this tea might be my favorite Verdant Sheng of the three I’ve tried. I would really like to see how this sheng develops in the next few years, because right now it is delicious.
I actually found the leaf quality in my cake to be pretty good, with many large intact ones. There was a nice honey note sneaking through in early tastings with a pleasant citrus aftertaste, but all in all the tea was a bit flat and ashy, which I’m chalking up to its youth. I’ll probably put this away for a while and revisit it in a year or so.