30 Tasting Notes
On my last session with this cake – it has been an almost daily drinker for me at work lately.
Brewing this in my Jian Shui gaiwan into my glass cha hai and porcelain cup. Using filtered Santa Monica tap water just off the boil throughout. Not weighing the leaf, but I’m guessing I use between 9g and 12g of material. The dried cake has a distinctive camouflage appearance with an abundance of black and white leaves.
No rinse, but I start the initial infusion at 90 seconds as the tea is so dry. At this point the liquid is a royal yellow and has a distinctive aroma of fresh hay with a hint of oats. The flavor is sweet, gentle, and faintly grassy. Earth, toast, and honey emerge in the finish.
Subsequent steeps are around 20 seconds, resulting in a darker, alloy orange liquid, a more vegetal (autumn leaves) aroma, and a slight acidity in the palate entry. The hay remains at the core, but there is a certain low level bitterness that emerges now, presumably as higher oxidized portions of the cake wake from their slumber.
This easily lasts 10 infusions once it gets going – the caffeine is sufficiently pronounced that I usually quit imbibing before the leaf is fully spent.
An interesting, if unremarkable tea – the white/black combo was new to me – happy I bought a cake, but not sure I’ll develop a craving for it in the future now that it is gone…
[UPDATE – I discovered that this tea responds well when you extend the late infusions a great deal (>8 minutes) – the resulting liquid is more concentrated at first, and has a sweet complexity towards the end of the session, finally revealing the stone fruit/peach notes I was hoping to find earlier.]
11 years old now, rather than 9…my first encounter with Da Hong Pao:
Brewed in my porcelain Jingdezhen gaiwan with Los Angeles municipal tap water just off the boil throughout.
5-6 infusions ranging from 5 seconds to 2+ minutes: field drab liquor; ash, river stones, leather, and wood-ear…no stone fruit that I can detect, though a hint of spice appears in later steepings (star anise? pepper?). Woodsy, dry finish.
More one-note than I anticipated, and yielding a shorter session than I hoped (I wonder if this is true of most Wu-Yi teas? I experienced the same thing with the Lapsang souchong I had from Yunnan Sourcing as well)…still, pretty good over-all.
Brewed in a ceramic Korean infuser cup using filtered L.A. tap water, just off the boil.
Sienna liquor emits a pleasant bouquet of muscatel, peach, and berry syrup. Fruity and floral on the palate, almost sweet, with hints of loam and cocoa in the finish. Medium bodied with restrained tannins offering only mild astringency; I might steep this for an additional minute if I was seeking a more “brisk” extraction.
The wet leaves have hints of purple, and smell faintly vegetal.
A 5 minute second steep is a bit lighter and more one-note, but by no means bland.
An 8-10 minute final infusion is lighter and sweeter still.
Well unified, with an above-average aroma, this is a pleasant afternoon tea and a reasonable value. This would also be an excellent choice iced or as the base for a kombucha.
Wanted a strong yet refined cuppa the morning of my first Father’s Day – found my sample of this Assam and thought I would give it a go rather than my usual CTC breakfast offerings.
Brewed this up in my 6 cup Chatsford teapot – 6 grams infused for 10 minutes before the first pour, on up to an hour+ for the final. A small touch of milk in a bone china cup, topped off by the tea throughout.
Floral and sweetly spicy aromatics – biscuity malt with a faint “baked goods” note on the palate – comparing some without milk, there isn’t much complexity to bury here, so no need to feel guilty for adulterating it. Not too tannic, not at all brisk, this survives a lengthy infusion without developing excessive bitterness, but the flavor doesn’t really intensify over time either.
Maybe this grade of Assam is the Goldilocks of tea for many, but I prefer either the potency and intense malt of cheaper offerings or the refinement of top-shelf leaves to the anodyne middle-of-the-road quality on display here.
I’ll try doubling the leaves next time (12 grams) to see if I can coax any more character out of the cup…will revisit this review at that time.
I commute by bicycle, often leaving before dawn, and taking fire roads over the spine of the Santa Monica range before descending down to the ocean. Over the weekend a fire erupted on the hill-side just above Mandeville Canyon, consuming all the dead brush as it climbed up to Kenter/Canyonback. The fire crews were still mopping up this morning, but they ignored me as I pedaled past their staging area and over the blackened soil, still smoldering in places, smoke languidly rising to join the marine layer. Earlier, this same fog had pushed the hawks down out of the sky, one red-tail passing just 10 feet overhead before alighting on its prey immediately across the road as I climbed Mulholland Dr.
I mention these things in passing (as well as a Memorial Day weekend suffused with smoked brisket, Alasdair Fraser/Natalie Haas, and Laphroaig) as they all served to prime me for this tea:
Prepared in my Jian Shui gaiwan, and served in my porcelain tea cup via my glass cha hai. Filtered Santa Monica municipal water just off the boil throughout.
The dry leaves are pure pine smoke, but faint mineral and stone fruit aromas emerge from the wet leaves (possibly taking on some qualities from the un-glazed clay?).
Mahogany liquor; beach bonfire aromatics are more subtle than anticipated; delicately smoky flavor profile with a sweet vaguely spicy core suggesting sarsaparilla; not too drying in the finish, and free of any acrid notes, char, or heavy phenolics. Hints of peat, wood, and fruit in the periphery. Smooth and almost creamy. A well crafted hong cha, the smoke serves to elevate the best elements of the leaves rather than hide their short-comings.
A fairly brief session, forcefully punctuating the workday morning – 8 infusions ranging from 20 seconds to 2 minutes, though I would use more leaf next time if I wanted to push beyond 5 or 6 infusions.
Popped a bag of this open a couple weeks ago to compare with the “Old Style” Dong Ding from the same vendor. While the “Old Style” might have more complexity, I appreciate the slightly increased flavor potency afforded by the baking/roasting – it’s a reasonable trade-off:
Filtered Santa Monica municipal water, to glass cha hai, to my Taiwanese purple clay tea-pot (mostly used for heavy roast oolong), back to the glass cha hai, into my porcelain cup.
Pleasant, sweet, slightly vegetal aroma post-rinse.
3 steeps at 45 seconds: Amber liquor; hay, paraffin, roast nuts, butter bean, and toasted honey in the nose and on the palate – floral/herbal notes emerge in the finish, which is surprisingly long and satisfying. The lingering sweetness reminds me of custard.
6 more steeps, gradually extending from 60 seconds out to 3 minutes: As above but the character of the aftertaste settles down to a more unified note (reminding me of fennel pollen), and the color gradually becomes both lighter and more drab. This remains drinkable for a long time, with day-old leaves giving you a few more steeps the following morning, the flavors diminished but not lost, flattened but not disordered…
Similar to the Old Style Dong Ding, but exchanging some of the subtle complexity for a bit more longevity…well balanced and gentle, but not too light.
Sampled a while ago, but didn’t have time to write out any notes – revisiting after a few months of aging/airing out:
Brewed in my porcelain Jingdezhen gaiwan with Los Angeles municipal tap water, just off the boil throughout.
Looking at the dry leaf – brittle seal brown chunks could be petrified guano, but have faint cocoa and fish aromatics. After a rinse, the wet material suggests leaf litter, smothered campfires, steamed banana leaves, brine, and a finishes with a vaguely phenolic note (not quite band-aids).
10 steeps at 10 seconds each, and another 5 steeps at 15-25 seconds each: Russet to seal brown liquor, enveloped in steam which seems almost supernaturally thick. Smooth, earthy, with the sweetness of a potato on the palate, and hints of loam, root cellar, river stones, hen-of-the-woods, hay loft, and horse trough in the finish. No bitterness; decent thickness. Pleasant and easy drinking despite the above descriptors. Consistent across the session. Caffeine (I hesitate to say cha qi) builds gradually but never overwhelms.
A tasty shou, a serviceable daily drinker (that will go on infusing all day), and even better as part of a savory/spicy breakfast.
Received as a generous sample from the proprietor. I believe this is the 2015 harvest, but no idea on the season.
Brewed in my porcelain Jingdezhen gaiwan with Los Angeles municipal tap water, boiled and allowed to cool to ~185ºF before steeping. One quick rinse.
8 steeps starting from 35 seconds and eventually working up to 2 minutes.
Pale amber-tinged liquor (difficult to assess color in my stoneware cup); moderate roast is central to the aroma in the cup, while slightly sour oxidization notes dominate the leaves. Wet stones, forest floor, black walnut, and faint raisin flavors emerge on the palate. Smooth, gentle mouth-feel, no tannins, and lacking any char or bite (the bake accentuates rather than overwhelms the underlying qualities of the cultivar). Decent longevity to the flavor, tapering off slowly and evenly over subsequent infusions.
Excellent quality leaves without a doubt, though I find my curiosity about their potential for aging/re-roasting almost surpasses my enjoyment of them in their current form – Tea Trekker and Floating Leaves appear to have very similar offerings at wide ranging price points, so I would shop around a bit before ordering larger quantities of this.