Thanks to Teavivre for the sample.

I use seven pearls (a whole sample pack) per gong fu session with flash infusions. This is twice the amount suggested for gong fu brewing on Teavivre’s website, but I prefer my hongcha to be robust. The pearls are very well compacted and fairly consistent in size, but there are some that are much smaller than the others. A good amount of golden bud material can be seen in the layers of the pearl, much more so than those of Teavana.

I wasn’t expecting much from this tea, but as it turns out, it is actually pretty tasty and okay for lazy drinking. The liquor’s depth is nice, with a malty smoothness, and resounding “pure tea” flavor. The lengxiang (cold scent) in the empty cup is subtle, and has characteristics of roasted barley and cooked sugar. Infusions don’t move past five, though, and even that is pushing it. The aftertaste is weak and slightly drying. There is also a faint soapy flavor right on the opening sip and at the end of the finish and seems to be paired with a slightly oily texture, but it isn’t all that apparent unless focused on it.

Looking at the spent leaves, I notice that some seem over-processed. They are totally black, difficult to unroll, and have a “carbonized” look to them, similar to spent shu pu’ercha leaves.

205 °F / 96 °C

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I’m fanatic about all things tea-related. Lately, I’ve been fascinated with Wuyi yancha, aged Taiwanese oolongs, and sheng pu’ercha. Nearly all of my sessions as of late are performed gong fu, with pu’er tastings comprising probably eighty percent of them. My collection of pu’ercha is small, but growing steadily. Much of the specimens I drink daily are various samples, although I dig into a cake every so often.

I love trying new teas and I am always learning all I can about the world of tea. Hence, I spend a majority of the time I devote to tea either drinking, writing notes in my journal, or reading. But mostly drinking, as I think it should be. Since I have handwritten logs of everything I drink, I cannot usually find the extra time to log my notes here, and unfortunately my online log is underrepresented.

When drinking, I look for a tea that presents a unique experience, something that involves every sense and provides intrigue in every aspect throughout steeps. I search for teas with balanced complexity and something that makes me keep reaching for my cup. I yearn to find all the positives a tea possesses and every subtle nuance hiding among the leaves. I try to be detailed in my notes and deliver a more comprehensive view of the tea, paying attention to things other than simply flavors and qualitative aspects of aroma, such as the form of the liquor and its development in the mouth. Things like this are much easier to compare between teas, as I find them to be more consistent between sessions, and also make distinctions between a good and mediocre tea easier to make.

Adagio UtiliTEA electric kettle.
For gong fu, a 100 mL porcelain gaiwan and a 100mL Yixing di cao qing xi shi pot dedicated to mostly young sheng pu’er.
I drink all green teas in small (maybe 450mL) glass tumblers in the traditional style, with off-boiling water.


Fort Myers, Florida

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